Mohammad Ibrahim

Before my first solo photography exhibition in February 2010, I went to the Farashganj neighbourhood and walked through its narrow streets—something I had never done before. I found myself lost in the glorious past of Old Dhaka. Magnificent architectural structures built on the bank of the great Buriganga River caught my eyes. I was witnessing the decaying beauty of some of the greatest ancient buildings of Dhaka, struggling for survival in silence.