Marking Chaitra Sankranti 1432 and Pahela Baishakh 1433, the Academy staged an elaborate five-day cultural programme, which drew to a close through a rich showcase of folk performances and film screenings.

At the Zahir Raihan Auditorium, organisers presented 18 special honours. Faridi—an alumnus of the university’s drama movement—was recognised for his enduring contribution to Bangladeshi theatre and film. His early engagement with campus theatre practices helped shape a career that later defined character acting in the country.

Acclaimed actor and director Afzal Hossain—also a filmmaker, painter, and writer—has once again turned to memory and reflection, revisiting the people and moments that shaped his journey in theatre and beyond. Known for weaving society, culture, and the human psyche into his writing, this time he pays tribute to his fellow fighters, colleagues, and companions from a transformative era.

A day-long retrospective honouring actor-director Tauquir Ahmed will be held on April 19 at the Bangladesh Shilpakala Academy, bringing together artists and cultural practitioners to revisit his work across film, theatre and television.

BotTala Theatre staged the 100th performance of its production “Khona” at Central Shaheed Minar on April 11, marking a rare milestone for a Bangladeshi stage play.

Her professional life has extended beyond studio practice into art education, children’s culture, and publication. She is also the author of two books, “Surrealism in Painting” and “Drawing and Reading of Pictures”.

Artist Suporna Alice Gomes inaugurated her first solo art exhibition, “Burnt Expressions: The Realms of Fantasy,” today at Safiuddin Shilpalay in Dhanmondi, marking a significant milestone in her artistic journey.

In a social media post, Jaya Ahsan described the gathering as a “home full of Bengali spirit” and “our kind of chaos.”

What is now one of the most widely celebrated cultural events across Bangladesh actually started as an administrative solution, and its transformation over the centuries offers a surprisingly layered look at how traditions evolve.

Folklorists have long recognised multiple categories within Bengali folk literature—songs, proverbs, riddles, and rhymes. Rhymes are not homogeneous; they appear in distinct functional types: nursery rhymes, social or satirical rhymes, occupational rhymes, ritual rhymes, and those associated with games. That diversity signals not triviality, but embeddedness. In their rhythmic repetition are folded patterns of labour, hierarchy, crisis and adaptation.

Dhaka University is set to celebrate the Bengali New Year 1433 on Tuesday with elaborate programmes, as preparations across the campus have been completed in a festive atmosphere.

The press conference closed with “Baishakh Mashe Aiso Bondhu,” returning to the language of invitation.

From the golden glow of sunrise over Mount Fitz Roy to the quiet romance of cypress-lined roads stretching across Tuscany, the Edge Gallery at Bay’s Edgewater Tower unfolded as a window to the world—each frame opening onto a different horizon on Friday, April 10. 

Theatre troupe BotTala has launched a two-day cultural festival at the Central Shaheed Minar to celebrate the 100th staging of its acclaimed play “Khona”.

Across five days, the programme will feature a wide range of folk and musical forms—jarigan, pat-er gaan, baul songs, puthi recitations, kabigan, gazi songs, gambhira, jalalgeeti, and bhawaiya—alongside ensemble dance performances by various cultural groups.

A commemorative event honouring National Film Award-winning actor Shams Sumon turned into an emotional gathering as colleagues came together to remember the late artiste on Thursday (April 9) evening at the Experimental Theatre Hall of Bangladesh Shilpakala Academy in the capital.

At his Dhanmondi residence, veteran actor and playwright Mamunur Rashid, sits with the quiet assurance of a man who has spent more than half a century shaping the soul of Bangla theatre. Widely regarded as one of its driving forces, his work has long bridged the emotional landscapes of audiences across both sides of Bengal.

Titled “Amirul Arham Documentary Film Retrospective”, the programme runs until April 11 at the organisation’s Auditorium Nouvelle Vague in Dhanmondi. Two films will be screened each day at 3:00pm and 5:00pm.

He also served as art director on several notable projects, including “Matir Moina” by Tareque Masud, the short film “Norshunder”, and “Chandrabati Kotha” by N Rashed Chowdhury.

In the Bangla cultural calendar, spring often arrives not only in colour, but in melody. This season, that arrival takes shape in “Boshonto”, a lyrical play dedicated to poet Kazi Nazrul Islam, while drawing from the timeless world of Rabindranath Tagore.