The evening opened with a narration by Tania Mannan, followed by the performance of the Tagore classic, which explores themes of love, sacrifice, guilt and redemption.

The appointment was announced in a notification issued on Thursday by the Contract and Foreign Appointment Wing of the Ministry of Public Administration.

The programme took place on Monday (August 3) at the National Music and Dance Centre Auditorium. Family members of those killed and injured during the 2024 student-led mass uprising attended the event.

Exploring the intersections of women, domestic spaces, memory and identity, Sarah Jabin’s second solo exhibition, “Chowkath”, invites viewers to reflect on the cultural traditions passed down through generations of Bengali households. The exhibition opened at La Galerie, Alliance Française de Dhaka (AFD) on July 31.

Censorship, political labelling and organised backlash have shadowed the profession for decades. The latest example came when one of the country's most prominent political satirists, Mehedi Haque, found himself at the centre of coordinated criticism for doing what political cartoonists are expected to do: draw satire in response to the national conscience.

A century later, that extraordinary meeting forms the foundation of “Rabindranather Dwitiyo Bijoya”, which revisits the unique bond between the two literary figures and imagines the emotional and philosophical landscape of their relationship.

There is a particular irony in watching Syed Jamil Ahmed return to the stage after more than four decades as an actor. One of Bangladesh’s most influential theatre directors, who has spent much of his career shaping actors from the other side of the performance, is suddenly subject to the same conditions he has long asked performers to navigate.

The little details, the sepia tones of the entire documentary, the vibration – everything genuinely felt like a spring breeze for a spectator, soothing the eyes too. She has displayed some of her lovely photographs of different built spaces and nature as well.

Some photographs document history. Others preserve the grief, resilience and everyday realities that might otherwise fade with time. Bringing together many of those defining moments from 2025, the fifth edition of the Bangladesh Press Photo Competition 2026 commenced at Drik, where the winners of this year were announced.

The 11-day group exhibition “Search Soul, Soil” concluded yesterday (July 28) at La Galerie, Alliance Française de Dhaka, after showcasing works that examined environmental degradation, ecological loss, memory and cultural identity.

Pulling away from the kolshi’s plea, the rest of the room slowly came into focus: a VR headset resting nearby, a screen caught mid-loop, a visitor gazing with curiosity.

Staged from July 23 to 25 at the Nilima Ibrahim Auditorium of Bangladesh Mohila Samity, "Golmatha Ar Chokhamatha" felt particularly relevant to Bangladesh's present political moment.

“Fragmented yet Tangled: Living within 2” does not deny the tenderness of motherhood. Instead, it refuses the expectation that love must erase exhaustion, resentment, bodily change or the struggle to recognise oneself. Barna’s stitches keep her figures connected, but never conceal where they have been pulled apart.

Every colour, typeface and composition is ultimately expected to solve a problem. “Beyond the Brief”, currently underway at Bengal Shilpalay in Dhanmondi, asks a deceptively simple question: what happens when those problems disappear?

Organised by theatre troupe Anuswar as part of its seventh anniversary celebrations, the session, titled “Jibon o Ovinoy” (Life and Acting), featured an interactive discussion with the audience.

After 36 days of relentless protest, Bangladesh brought an end to fifteen years of autocratic rule. On August 5, Sheikh Hasina fled the country in the face of a student-led mass uprising.

The festival was originally scheduled to take place last month to mark the 127th birth anniversary of National Poet Kazi Nazrul Islam but was postponed due to unavoidable circumstances.

“Adam Surat” explores injustice, neglect and the untold stories of marginalised people. The production draws on incidents and moments from people’s lives that often remain hidden from public view or fail to receive justice even when they come to light.

Anandadhara Arts presented its acclaimed production, “Deshantor – Across the Border,” at the Redbridge Methodist Church Auditorium in London on Saturday (July 18), offering audiences an inspiring and emotionally powerful exploration of migration, identity and humanity.

The gallery has been arranged with works on white plinths, biographical panels spread across the walls, and a long glass case containing garments and other belongings, which gives visitors a direct sense of the artist’s presence alongside the history of her practice.