Singer Anusheh Anadil, whose renditions of songs such as "Tomar Ghore" and "Ghate Lagiya Dinga" made her one of the most recognisable voices in Bangladeshi folk fusion, quietly disappeared from the music scene at the peak of her career.

In the dimly lit gallery, decorated with revolutionary-themed art, Anusheh Anadil spoke about love and revolution. A circle of people gathered to discuss the changes they hoped to see in post-revolution Bangladesh. Outside, raindrops tapped gently, while the sound of the Tanpura filled the air. A cat, wearing a blue bandana, wandered through the audience during the inaugural session of the two-week-long festival “Re-love-ution” or “Premandolon” at Jatra Biroti in Banani.