Classical dance in Bangladesh has long been associated with discipline, hierarchy and years of rigorous training. It is rarely viewed as a space for those who did not follow the traditional path from an early age. With the Ekushey Padak, the country’s second-highest ranking civilian award, in the field of dance now attached to her name, Arthy Ahmed’s work is being recognised for both her performances and her broader vision of inclusivity within classical practice.

Arthy Ahmed's Bharatanatyam classes in Dhaka empower adults to reclaim joy through inclusive dance, emotional healing, and cultural connection — transforming traditional norms and redefining classical dance in Bangladesh with passion, purpose, and community.

In the ever-evolving Bangladeshi dance scene, Motmainna Moni craves to leave a mark with her grace and poise. The young dancer age-old practices of Bangladeshi dance with a contemporary edge.

The Bangladesh Embassy in Portugal recently celebrated Pahela Baishakh for the first time in many years. Sadia Islam, planned the entire event along with H E Rezina Ahmed andalso choreographed an entire set of performances to show the intricacies and finesse of Bengali culture and traditions.

Bharatanatyam exponent Leela Samson and her dance troupe Spanda grace the stage at the National Auditorium of the Bangladesh Shilpakala Academy to mark the beginning of the three day long Bharatanatyam festival “Roop Bahulya”.

Amit Chowdhury has proved himself to be a prominent Bharatanatyam dancer of our country.