This is the question that viewers see on the wall when they first go to “Baakmuhurto / A Turning Moment” at Shala Neighbourhood Art Space, Aloki. It is a question that we have all thought about, but in different ways. Decolonisation has been injected in our veins for centuries, and everyone has wondered at least once in their lives — Who am I without invasion?

Printmaking has often remained one of the lesser-explored forms within Bangladesh’s art scene – admired within artistic circles, yet less familiar to wider audiences than painting or sculpture. Over the past few weeks, however, Kala Kendra in Lalmatia has turned renewed attention toward the medium through its month-long printmaking festival, drawing visitors into a world of layered textures, memory, and experimentation.