Celebrated author and activist Arundhati Roy’s 2025 memoir Mother Mary Comes to Me (Penguin, 2025) continues to solidify its place in the zeitgeist and its cultural impact well into 2026, with its recent win at this year’s US National Book Critics Circle (NBCC) Award in the Autobiography category.

From now on, selected works of representative Bangladeshi poets will now be available on the Lyrikline platform

The exhibition reimagines the book as a tactile, textile based vessel for memory, currently on view at Alliance Française Dhaka from March 10-18, 2026.

Even after the organisers and Bangla Academy offered a 55 percent subsidy on stall costs, a significant number of publishers maintained their decision to not participate.

On January 18, 2026 novelist and essayist Md Ashanur Rahman was awarded The International Creative Arts Award 2025 by the International Creative Arts, Language & Development Research Centre of the University of Dhaka for his outstanding contribution to literature and its role in Enriching Minds and Inspiring Lives. 

The six-week intensive program offers beginners and budding writers mentor-led guidance in fiction, poetry, and nonfiction, focusing on Bangladeshi cultural narratives

The book features 15 chapters covering essential topics such as attachment styles, love languages, and shadow work.

On the chilly afternoon of January 10, Bookworm Bangladesh, in collaboration with Voices Shaping Society, hosted the book launch of The July Resolve, a collection of 36 narratives that depicts the strength and struggles of people from all walks of life during the Monsoon Revolution of 2024.

A book talk on Zeba Rasheed Chowdhury’s latest work, the translation of the Rubaiyat of Omar Khayyam into Bengali, published by Matribhasha Prokashwas held on 27th December 2025, at Bookworm Bangladesh.The event was hosted by scientist and writer Dr. Abed Chaudhury.

North South University’s Department of English and Modern Languages (DEML) concluded its first-ever Winter Fest spanning December 10-11, bringing together literature, performance, film, and visual art in a two-day celebration of creative expression on campus.

A lively winter fair will present locally crafted accessories and seasonal favourites, celebrating community creativity and winter warmth

Students at the University of Liberal Arts, Bangladesh (ULAB) crowded into a packed classroom on a winter morning on Sunday, November 30, awaiting the start of a program that would be part interview, part poetry reading. “Meet the Poet: Shaheen Dil—In Conversation with Dr Mushira Habib” organised by the Department of English and Humanities was an hour-long dive into the life and work of poet Dr Shaheen Dil, a Bangladeshi writer and retired academic, banker, and consultant living in Pittsburgh, Pennsylvania.

What is motherhood, exactly? While biomedical sciences tell us one answer, the undeniable social experiences we gather throughout our lives say otherwise. What happens when technologies such as IVF (In-Vitro Fertilisation) allow women to surpass natural barriers to become mothers? Does it make women free from the constraints of motherhood, or does it reinforce them?

With the aid of Duniyadari Archive, Pavel Partha’s soon-to-be-published book Sultan Er Krishi Jiggasha is a new addition, which looks at Sultan’s work from an eco-critical perspective.

The Department of English and Modern Languages (DEML) at North South University hosted a session of its Colloquium series titled “Zia Haider Rahman in Conversation with Dr Nazia Manzoor” on Tuesday, this week.

He responded to the situation with grace, mentioning “I like people who have a sense of humour".

Through its blend of art, technology, and literature, “Celebrating Kafka” offers more than homage–it invites audiences to confront the absurdities of modern life and recognize that Kafka’s strange, unsettling world is still unmistakably our own.

Dr Seely’s story in Bangladesh begins in Barisal Zilla School in 1963, while working as a volunteer for the American Peace Corps.

Particularly striking is her choice of working only in black and white, letting both the poetry and her art speak for themselves in their rawest forms.

Each year, one writer contributes a text that will remain unpublished and unread until 2114.