As per government mandated instructions, the Ekushey Boi Mela opened at 12 pm today while the rest of the city observed a lockdown. No visitors were seen at the entrance for the first 45 minutes of opening.

Selected Poems on Love, Environment & Other Difficulties (Chitra Prokashani, 2020) is a collection of poems by the late Rafiq Azad, one of the most prolific poets of Bangladeshi literature, translated from Bangla by his son Ovinna Azad.

It’s party time in the animal kingdom. A turtle just happens to be in charge of making a birthday cake. He’s small and he’s slow but he has a plan. He started early because he knew speed wasn’t his strength.

One of 2020’s more positive highlights was Daisy Johnson’s stunning sophomore effort, Sisters (Riverhead Books). The novel, a Gothic-domestic drama, starts with siblings September and July in the backseat of a car, on their way to the “Settle House”.

Having graduated from the University of Dhaka’s Faculty of Fine Arts, Sabyasachi Hazra’s work first gained momentum in 2005 and today, is a mainstay during the Ekushey Boi Mela.

The longlist for the prestigious 2021 International Booker Prize was announced on March 30, 2021. Nominees stem largely from Europe, with a few entries from South America, Africa, and Asia rounding out the list.

“Once there was a severe flood in the month of Magh.

I was in the middle of a hectic shift at Dhaka Medical College Hospital a few days ago when I heard a close colleague was down with fever and severe body ache—symptoms typical of COVID-19. By the next day, his whole family had been critically affected. It is not very likely that his family will come out of this wrath unscathed. Instances like this do not shock me or my colleagues anymore; this has been routine for the last year.

“Muktishongram-e ami jog diyechhilam bishuddho ekjon biplobi hishebe”.

After half a century from where we began, Daily Star Books will spend all of this year—the 50th year of Bangladesh—revisiting and analyzing some of the books that played crucial roles in documenting the Liberation War of 1971 and the birth of this nation. In this sixth installment, we revisit both Khadim Hussain Raja’s A Stranger in My Own Country (Oxford University Press, 2012), in which a retired general gives often problematic views from West Pakistan’s perspective, and Pakistani journalist Anthony Mascarenhas’ The Rape of Bangladesh (Vikas Publications, 1971), a pivotal book in changing world opinion on the then-underreported genocide of East Pakistan.

The Ekushey Boi Mela, which was inaugurated on March 18, 2021, is stretching out across an expanded space of 1500,000 sq ft to accommodate the 834 stalls allocated to 540 organisations this year.

When searching for literature covering the role of the Mukti Bahini in the victory of 1971, a noticeable dearth of objective analyses is apparent.

In July of 2013, Patricia Lockwood wrote the decade’s most immediate and pressing poem, “Rape Joke”. Already by then Lockwood had amassed prizes and praises enough to fill a few cabinets.

We barely see cross-disciplinary initiatives that try to understand our media, culture, society and politics. In this wake, Dr Ratan Kumar Roy’s Television in Bangladesh: News and Audiences (Routledge, 2021) offers a rich ethnography of television news practices in Bangladesh, with a foreword by Marcus Banks, Professor of Visual Anthropology at Oxford University.

In the 1890s, many South Asians were brought to Uganda by the British Empire for administration and development purposes.

Here is a door stopper for the lingering period of hibernation. All 522 pages provide ample literary support for long-term homebound inmates.

Last week, I decided to pen a tribute to my favourite authors of science fiction, a love letter, really, that has long been in the pipeline.

Hellfire is at once a book about patriarchy and the toxic strand of matriarchy that supports it. Through the lives of sisters Lovely and Beauty, both kept from socialisation and even attending school deep into middle age, the novel captures near perfectly the convoluted blueprint of life for South Asian women.

It wasn’t until my 20s that I realised I had read less than 10 Bengali women authors in my childhood and adolescence.

The publishing and literary world in Bangladesh have considerable visibility of women: some are authoritative figures in the literary and academic world, some run their own establishments and bookshops; others occupy senior positions in many of the local publishing houses and literary committees. However, like the systems and society we currently operate in, this industry is also influenced by the larger patriarchal structure.