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Nazma Yeasmeen Haque is cheered by new issues of two journals

L-R: Mashik Uttoradhikar, Agrahayan 1417, Bangla Academy. Kali O Kalam, Poush 1417, Bengal Centre
The Agrahayan 1417 issue of Uttoradhikar, the monthly literary journal of the Bangla Academy, surely upholds the richness of the enterprise. In the earlier issues of Uttoradhikar, conscious presentations of the various aspects of Bangla literature as well as other areas of aesthetics were a palpable sign of the quality it had begun to aim for. The journal now comes with a profundity that should be noted by readers. In the issue under review, it is an enlightening write-up on Khan Sarwar Murshed, the distinguished academic and scholar, which draws attention. Abdus Shakur travels through an entirety of the Murshid landscape and offers up to the reader a pretty comprehensive account of Professor Murshid's life and times. Reading the article is for many who have had the good fortune of being tutored by scholars in the mould of Khan Sarwar Murshid a swift going back to nostalgia. And that is not all. Selina Hossain's informative write-up on Rabindranath Tagore's birth centenary celebrations in Dhaka in 1961 is one article that you can be sure readers will read with interest. The writer brings into the telling of the story an era that was truly the first concrete instance of nascent Bengali nationalism taking shape. Newspapers competed in their expanding battle to present arguments in favour of Tagore as well as against him. Obviously, as we now know from a reading of history, the anti-Tagore group, blindly associated as it was with the Pakistani establishment of the time, lost out. In 1961, therefore, a great victory was won by the Bengalis of what was then East Pakistan. The Tagore celebrations were the first hint of the secularism that Bengalis were returning to following the trauma of the partition of India in 1947 and the creation of the state of Pakistan. For those too young to recall the events of 1961 as also for those born after the liberation of Bangladesh, Selina Hossain's recalling of that seminal period in our history will come in handy. Other articles of a definitively incisive nature find place in this issue of Uttoradhikar. Subrata Kumar Das' comparative study of the Nepalese poet Laxmi Prasad Devkota and Bengal's Kazi Nazrul Islam adds to the south Asian literary ambience. Shibnarayan Roy has some serious thoughts on the Bengali to share. Khalequzzaman Elias' adaptation of an item from Sir James Frazer's The Golden Bough promises to rekindle interest in western literature as it came to be shaped in long ago eras. And so the journal goes on, in all its diverse richness. It is not to be missed.
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