Sajid Bin Doza

In the heart of Dhaka stands one of the most extraordinary civic buildings of the twentieth century: the National Parliament Building of Bangladesh.

In Tikoil, the painted wall is not the heritage itself; rather, it is the outcome of a deeper cultural system.

In an age dominated by speed, screens, and relentless competition, something profoundly human is quietly slipping through our fingers: the gentle, ethical, and transformative dialogue between a teacher and a student.

Architecture becomes the primary victim because it is the most visible, most durable, and most symbolic form of cultural expression.

Architecture is never neutral, it is the most visible, permanent, and symbolic tool through which politics announces itself.

Bengal’s deltaic landscape, nourished by the alluvial embrace of mighty rivers, has for centuries cultivated a unique and enduring architectural identity.

A new cartoon movement, known as cultural cartooning, has been gaining popularity all over the world. Cultural cartooning brings out the humorous side of our everyday life.

The medieval mosques of Bengal transformed from socio-political spaces to more socio-cultural zones. The mosques became part of the neighbourhood’s culture, with participation from both men and women.