Shilpakala reverses hall cancellation after backlash

A controversy over hall allocation at the Bangladesh Shilpakala Academy has drawn criticism from theatre practitioners after a scheduled booking was cancelled and later reinstated following backlash.

The dispute centres on theatre troupe Tarua,  which had secured the National Theatre Hall for April 22–24 to stage “All Quiet on the Western Front”, an adaptation of the legendary book by the same name. The group began rehearsals and ticket sales after receiving approval.

However, the academy abruptly cancelled the April 23 slot, citing an administrative decision. The move disrupted the troupe’s schedule midway, forcing a potential restructuring of performances and logistics.

Actor Kazi Roksana Ruma criticised the decision publicly, raising concerns about transparency and the financial and organisational impact on theatre groups. She questioned whether authorities would take responsibility for losses incurred from advance promotions and ticket sales.

The backlash widened within the cultural community. Theatre activists argued that such cancellations undermine the purpose of the venue, which is intended to support performing artists.

According to organisers, the cancelled slot had been reassigned to an event by  Bangladesh Nationalist Social and Cultural Organization' (JASAS) , a cultural organisation affiliated with the Bangladesh Nationalist Party. The decision intensified criticism from theatre practitioners.

Following the outcry, the academy reversed its decision and restored Tarua’s booking for April 23.

Deepak Kumar Goswami, director of the theatre and film department at the academy, said the issue had been resolved. He noted that allocations can be reviewed by the director general when necessary and confirmed that the troupe would be able to stage its performances as planned.

The incident reflects a broader pattern of dissatisfaction among theatre groups regarding hall allocation at the academy. Practitioners have long complained about limited access, abrupt cancellations, and a lack of transparency in the booking process.

Recent reports indicate that the academy reserves a significant number of auditorium slots, often leaving theatre groups struggling to secure performance dates.

Theatre veteran Mamunur Rashid said sudden cancellations disrupt audience continuity and place organisations under financial strain. He described such decisions as unacceptable.

Dancer Puja Sengupta also criticised the practice, saying the National Theatre Hall should remain dedicated to cultural activities rather than being used for unrelated events.

The Bangladesh Shilpakala Academy, the country’s principal state-run cultural institution, plays a central role in theatre production and performance.   The recurring disputes have renewed calls for clearer policies and greater accountability in managing its venues.