Ayman Anika

In today’s Bangladesh, banking is no longer just for salaried professionals and business owners. A shift is underway: slow but steady.

From schoolyard choc bars to tiramisu-infused gelato, ice cream in Bangladesh has undergone a full-blown identity crisis, but in the best way possible. What used to be predictable is now personal. The freezer isn’t just cold storage anymore. It’s a canvas of culture, memory, and mood.

Ashreen Mridha, co-founder of Deshi Ballers, is redefining women’s basketball in Bangladesh by challenging systemic barriers, empowering female athletes, and building a legacy of leadership, inclusion, and resilience through sport-driven social change.

Arthy Ahmed's Bharatanatyam classes in Dhaka empower adults to reclaim joy through inclusive dance, emotional healing, and cultural connection — transforming traditional norms and redefining classical dance in Bangladesh with passion, purpose, and community.

In July 2024, Bangladesh’s youth-led quota protests ignited a powerful cultural uprising, using chants as political weapons to challenge authoritarianism, reclaim identity, and reshape national memory through a new language of resistance and unity.

Horse riding is gaining momentum in Dhaka, evolving from a niche hobby to a therapeutic sport and lifestyle. With growing interest, local riding schools are building a vibrant equestrian culture despite urban challenges.

During Bangladesh’s July Movement, meme artists and political illustrators used digital satire and visual storytelling as powerful tools of resistance, transforming protest into art that exposed truth, challenged authority, and preserved uncensored history online.

Dhaka’s real estate story isn’t just a tale of square feet and glass facades.

In Bangladesh, when people talk about pollution, it’s rarely about what’s inside their homes.

Walk into a newly renovated apartment or café in Dhaka, and chances are, you’ll spot a cane chair by the window, a nakshi kantha throw draped over a couch, or a cluster of earthenware lining the shelves.

Farhanul Islam, also known as Brown Magic, blends mentalism and psychology to create immersive illusions that challenge perceptions of magic. His unique performances are revolutionizing magic in Bangladesh and gaining international recognition.

The July Movement in Bangladesh fused protest with digital defiance, using social media to bypass media silence, mobilize voices, and challenge power. It reshaped activism, highlighting social media’s role in truth, trauma, and transformation.

Salsa culture in Dhaka, led by Havana Salsa, is growing despite the dominance of other dance forms. It’s about connection, participation, and slow progress. The community fosters confidence, joy, and cultural exchange, redefining dance beyond performance.

In Dhaka’s ever-expanding skyline, where apartments compete for light, heat, and breath, paint is not just the final touch – it’s the invisible layer that makes a house livable.

Zarin Hossain didn’t grow up in a family of business owners. But at 28, she’s running a menstrual hygiene brand with biodegradable packaging, fuelled by a loan from a bank that initially wanted none of it.

Rony Sharafat’s documentary “The Last Folks of Otter Fishing” captures a fading human-animal tradition in Narail, highlighting ethical storytelling, ecological loss, and the urgent need to preserve vanishing cultural and environmental heritage through visual narratives.

Once upon a time, the most we expected from an air conditioner was cold air. However, in today’s Bangladesh, where rising temperatures and unpredictable power supplies collide with fast-moving digital lifestyles, smart air conditioners are offering more than just cool comfort. They’re offering control, efficiency, and even cleaner air.

Tightened U.S. immigration policies in 2025 have restricted international students’ freedoms, academic opportunities, and work access, leading to increased censorship, funding cuts, bureaucratic delays, and a growing sense of exclusion within American academia.

To most people, a face is a face. To Atia Rahman, it’s a map of memory, trauma, identity, and fiction. When she works, she is not just applying makeup but rather layering psychology, reconstructing time, and adding evidence to a character’s backstory.

In Bangladesh’s saline delta, climate-vulnerable women like Jamuna and Pushpa lead adaptation with innovative farming and resilience. Despite gender inequality and health risks, they drive sustainable solutions for survival, food security, and environmental justice.