FLASH FICTION / Chand raat at Mohakhali

“Chotto Kaka, I’m not afraid of the bogey-bug (coronavirus) when I have a tummy full of ice cream.” When my seven-year old nephew made this demand, I thought, he could really have taken a leaf out of Ulysses – a masterpiece by the great Irish maverick, James Joyce.

Despite much of the conversations and advances across countries since the Beijing Platform for Action (1995), gender mainstreaming still lacks a solid theoretical grounding, primarily because it grew outside academia as a movement under the ambit of feminism, and not as a part of social science.

Borja González is a self-taught illustrator, and you both can and cannot tell while looking at his resplendent new work, A Gift for a Ghost (Abram ComicArts, 2020).

The books which are closest to my heart and which evoke a certain sense of otherworldly glee are the ones that are themselves odes to literature, reading, and writing.

On October 9, 1965—a day before the World Children’s Day celebrations—the Engineering Institute of Dhaka rang with the melody of young voices, their footfalls and bright costumes. Children from across the two Pakistans had been invited to take part in a competition of musical performances.

“Have you met Mr. Skunk? In case you have not, he is a short black and white fellow that you might often see at the bottom of the stairs, or near the dumpster.” Joe paused for breath.

Mashrur Arefin’s 2019 novel, August Abchhaya, is full of moments that evoke the blood-stained memory behind the language of conflict.

In a near-perfect echo of today’s world, Nobel Prize-winning Elfriede Jelinek’s On the Royal Road: The Bergher King (Seagull Books, 2020) is stuffed breathless with metaphors, innuendoes, and anecdotes as it satirises US President Donald Trump.

This is a must-read book for anyone worried about the vulnerability of democracy in our time and the rise of authoritarian governments everywhere.

Read our tribute to Tintin comics online, on The Daily Star website,

There are few pleasures in the life of a Bangali that come close to the sheer delight of basking in the rare but sweet Sun on a winter morning on the balcony, accompanied by the aroma of a cup of tea,

Four-year-old Sharanyo was bored from the lengthy lockdown during the pandemic. He could not go to school, parks, or shops and his day-to-day activities became mundane. He no longer enjoyed eating, showering, or going to bed at the right time. His father Shuvashish had to find found a solution. Having just returned to his son after a yearlong study leave in the UK, Shuvashish started creating stories to keep Sharanyo busy during dinner and bedtime. Soon, Sharanyo started chiming in, visualizing how the characters would look, how the stories would end.

Numair Atif Choudhury’s Babu Bangladesh is a tour de force of a novel. Exuberant, extravagant, learned, zany, ingenious, whimsical, irreverent and provocative, this is a work of amazing merit.

Today, on the first day of 2021, I open the 71st chapter of my memoir written – not sure when – probably before time. I want to read what lies ahead. There are only a few more chapters left before I happily reach the final episode.

In the desolation of today, I hang on to the promises of tomorrow: When life will be in harmony And struggles gone.

Edward Said is one of only a handful of intellectuals who can truly be said to have educated and influenced multiple generations on the Palestinian cause and the different prisms of thought through which we now look at literature, art, and history. In many ways, we are the heirs of the man who popularised the term, “Orientalism”; a man who championed the voices and struggles of the Global South in the Anglo-American sphere.

If you thought the unapologetically outspoken Starr Carter from The Hate U Give (Balzer + Bray, 2017) was a force to be reckoned with, it’s time you met the man who raised her to be so: Maverick Carter.

Prolific writer Rabeya Khatun, a recipient of the Bangla Academy Literary Award 1973, Ekushey Padak 1993, and the Independence Day Award 2017, passed away on January 3, 2021 after suffering from a long period of health complications.

The epigraph of The Old Drift (Hogarth Press, 2020), taken from Vigil’s The Aeneid, briefly narrates the story of a diverse civilisation thriving on the banks of Lethe, the river of forgetfulness that “somnolently” drifts past a “populous throng” of spirits.

Asha Ray is a coder who, upon reconnecting with a high school love interest, abandons her PhD program to write a new algorithm for an exclusive tech firm.