Bengal’s history of Islam and religious coexistence stems from its unique indigenous deltaic civilisation and syncretic culture.

Bengali artists transformed the Franklin Book Program’s translations into powerful symbols of postcolonial visual modernity and identity.

Muharram in Old Dhaka remains a profound, centuries-old cultural legacy intertwining personal heritage and the Karbala tragedy.

In the realm of everyday culture, Mughal influence permeated cuisine (techniques, dishes, and courtly food culture), dress, etiquette (adab), and aesthetic sensibilities, creating a shared repertoire that cuts across religious and regional boundaries.

Today, the memory of the baijis survives only in the recollections of a handful of elderly witnesses, and in a few rare photographs, within whose fading frames lingers a poignant history of neglect and oblivion.

Regardless of the visual's artistic quality, the novelty of the concept remains undeniable.

A personal journey through football memories, World Cup emotions, and Bangladesh’s enduring love for the beautiful game.

Beyond goals and trophies, World Cup players' tattoos reveal stories of faith, family, identity, ambition and love.

Migration has been part of the World Cup story since its inception.

This essay examines how colonial exploitation and Bengal's riverine ecology fuelled the rise of nineteenth-century river dacoits.

On 20 August 1947, the Director of Public Instruction for the Education Directorate of the newly created state of West Bengal, S. Dutta, issued an order—“in view of the decision of the Separation Office”—to the principal and teachers of the Kolkata Aliya Madrasa at Wellesley Square.

Thirty-two years after USA ’94, the World Cup returns transformed by expansion, technology, and unprecedented commercial power.

Photojournalists risked their lives on June 7, 1966, documenting the movement, yet government censorship prevented their photographs from being published.

Mujahidul Islam Selim reflects on Tofail Ahmed, balancing their shared struggles with fundamental ideological and political differences.

At a time when modern songs and genres were pushing folk music to the margins, Abbasi spent two decades conducting a programme dedicated to folk songs.

His theoretical orientation was critical, challenging the well-established traditional and modernist views of development.

On Abdul Quadir's 120th birth anniversary, revisiting the editor, critic, and cultural guardian modern Bengali literature needs.

Rakhal Das conducted the first extensive excavation at Mohenjo-Daro from December 1922 to March 1923, uncovering three sites.

Roid becomes far richer when its symbols are allowed to remain unstable.

Medieval Bengal was known for riverine shifts. That deadly earthquakes played a part in this morphological instability is not so well known.