The more closely we look at Bongabdo, the less it seems like the work of a single dynasty.

For over a century and a half, the collective memory and historiography of the 1857 uprising, variously termed the ‘Sepoy Mutiny’ or the ‘First Indian War of Independence’, have remained overwhelmingly anchored within the north-central Gangetic heartland of the Indian subcontinent.

Burma and Bengal had shared extensive socio-cultural and economic exchanges long before the British landed on their shores.

At the opening of the Zoffany exhibition, the 'Nagaphon Ghat' was regarded by many as one of the most beautiful paintings ever.

Amid rising communal rhetoric, the historic bond between Lahore’s Mian family and Allahabad’s Nehrus offers a powerful lesson.

Rabindranath pointed to one particular path for rural advancement: the strategy of a cooperative approach.

Rabindranath Tagore’s artistic evolution into a universal humanist was forged through his transformative East Bengal experiences.

Most of the karigars/ustads and people at other levels of work hierarchies pointed to the palm of their hands and said “this is our everything”.

Pritilata was much more than just a nurse or a sexual object as portrayed in the media; she wanted her death to mobilise women to join the fight against imperialism, to prove detractors wrong about their abilities.

On the night of 23 September 1932, Pritilata led a group of approximately 10 to 12 revolutionaries towards the target.

For over 60 years, he shaped a visual language that defined the Indian subcontinent.

There is still coercive power at the disposal of the state (laws, arrests, closure) and business interests (as owner and advertising client), which can strategically control the flow of news and information.

What makes Ray’s work endure is not simply its realism, but its insistence on humanity.

From borrowed cameras to global acclaim, Satyajit Ray’s journey reveals patience, struggle, and the power of realism.

Before taking a close look at the three feature films that comprise Ray’s tribute to Tagore we might note a few similarities between the two cultural giants.

This timeline traces key moments, documenting adversity and progress, and offering insight into the quest for justice.

A. K. Fazlul Huq’s life began amidst the ‘Great Backerganj Cyclone’ of October 1876—one of the deadliest tropical cyclones in history.

The KPP, under the leadership of Fazlul Huq, gained significant popularity by appealing to the youth and advocating for radical change

A.K. Fazlul Huq navigated the complex politics of Bengal, balancing a secular Bengali identity with the realities of pre-partition India.

On the basis of numismatic evidence, it can be inferred that Fakhruddin Mubarak Shah declared independence in Sonargaon in 734 AH/1333–34 CE.